Vodou in the Early Republic: More Questions Than Answers
Our guest post today is by John Davies, an adjunct assistant professor in the
Intellectual Heritage Program at Temple University. His article, "Taking
Liberties: Saint-Dominguan Slaves and Masters in Philadelphia, 1791-1805,"
will be appearing in Commodification, Community, and Comparison in Slave
Studies, ed. Jeff Forret and Christine E. Sears (under contract with Louisiana
State University Press).
By John Davies
On May 7, 1800, Calypso, a woman "aged about 30
years" from the French Caribbean colony of Saint-Domingue, was baptized in
[Old] St. Joseph's Roman Catholic Church in Philadelphia. With her baptism, she
took the name Mary Claudia Calypso.[1] Calypso was one of over 800 free and
enslaved Dominguans of African descent who arrived in Pennsylvania between 1789
and 1810 during the violent social, political, and cultural transformation that
we know today as the Haitian Revolution. During this period, roughly 25,000
Dominguans made their way to the United States, settling largely (though not
exclusively) in port cities from New Orleans to Savannah to Boston. Of that
number, perhaps 4000 were free people of African descent, and at least another
6000 arrived as slaves.
Like Calypso, many Dominguans of African descent in
Philadelphia embraced the Roman Catholic faith. Nor was such activity confined
to Philadelphia. A famous example would be Pierre Toussaint, who arrived in New
York City in 1797 as a slave, remaining in the service of his mistress until
her death in 1807, and supporting the Church through his faith and actions
until his death in 1853. Currently, the Roman Catholic Church is considering
Toussaint for sainthood.
But did Dominguans of African descent who remained in the
United States also practice Vodou? A perceptive audience member asked me this
at a 2013 SHEAR panel. Since I had argued that migrants in Philadelphia were
invested in a French, Roman Catholic identity, I answered "no," a response
that was met with polite skepticism. The existence of Vodou in
nineteenth-century New Orleans was suggested as evidence to the contrary.
Finding the place of Vodou in the early republic presents
problems of definition and problems of sources and evidence relating to the
practice of Vodou and the experiences of Dominguan migrants. In considering
these issues, I stand by my interpretation of the evidence for Philadelphia,
and now agree that Vodou may have been practiced in Dominguan communities
elsewhere in the United States; however, there is much that remains unclear.
Although an apter local term, one more reflective of one
of the religion's central functions, would be "sèvis lwa" (spirit service), in Haiti the term
"Vodou" has long been accepted by practitioners as the identifier of
their faith tradition, one rooted in an amalgam of West and Central African
religious beliefs and practices and folk Catholicism. The spirits include both
ancestors as well as deities, the latter of whom are associated with Roman
Catholic saints. The form of Vodou ceremonies varies. Believers might gather to
call the spirits through drumming and dancing. In this way an ecstatic
connection with the spirit, akin to possession, is attempted, through which the
spirit might interact with the ceremony's participants. Ceremonies might be led
by a male or female religious leader, but this is not always the case.[2]
Condemned by Haitian authorities until the late twentieth century, and long
misunderstood by American and European commentators and observers (as seen in
equating "voodoo" with sex, violence, and black magic), practitioners
of Vodou brought their religion to other parts of the Caribbean, to the United
States, and to Canada during the Haitian diaspora of the twentieth century.[3]
But to what extent did the flight of enslaved Dominguans
during the Haitian Revolution see an earlier introduction of Vodou to the
United States? Knowing more about the content of Vodou in the 1790s, whether
the religion still "bore a much more African character" or was fully
"[engaged] . . . in Haitian temporal affairs and history," would be
helpful in answering that question.[4] Related to this is the issue of
connections between Dominguan/Haitian Vodou and other African-American folk religions.
This is because of the West and Central African
foundations of both African-American and Dominguan/Haitian religion, as seen
with the connections and similarities among Haitian Vodou, New Orleans Voodoo,
and African-American Hoodoo.[5] Drawing out such connections is beyond the
scope of this post. It is interesting to note, however, that just as the free
and enslaved persons of African descent in New Orleans who gathered for music
and dancing and community built upon traditional African forms, enslaved Africans
and African Americans in Philadelphia did the same a century earlier. Through
much of the eighteenth century, slaves would gather in Southeast (today,
Washington) Square, and, as a chronicler of Philadelphia reported, "[in]
that field could be seen at once more than one thousand of both sexes, divided
into numerous little squads, dancing, and singing, 'each in their own tongue,'
after the customs of their several nations in Africa."[6] The dancers
reportedly gathered "to honor and celebrate their ancestors, and to leave gifts at the graves of their loved ones."
Before the
arrival of Dominguan migrants, then, religious practices of African derivation
already existed in Philadelphia. Similarly, New Orleans did not require
Dominguan migrants for "Voodoo" to emerge there; Dominguan migrants
arrived in a city where some form of "their" religion--assuming that
they were Vodouists--already existed and was relatively public.
Which brings us to the question of sources and evidence.
Many Dominguan migrants of African descent have slipped through the historical
cracks, leaving behind little or no information. I have found no sources that
describe Calypso's religious life either before or after her baptism; I cannot
even be sure of the barest biographical details of her life.[7] Yet for
Philadelphia, at least, a range of sources--Roman Catholic sacramental records
and confraternity rolls, court documents, the minutes of the Pennsylvania
Abolition Society, directories and censuses--provide a sense of the collective
experience of these migrants, even if specific details for individuals are
lacking. None of these sources make mention of activities that can be directly
linked to Vodou; they do suggest, however, how difficult it would have been to
freely serve the spirits. Enslaved Dominguans often lived in close proximity to
their masters, while some were often moved about the city. Court dockets record
many instances of adolescent males and females who, time and again, fled their
masters, only to be eventually caught. Could they have been doing so to meet
and participate in Vodou ceremonies? Where would they have met? Would not civil
authorities or private citizens report such activities?
The
familiarity of Vodou and the existence of prior African-based religious
practice in Philadelphia could have appealed to both free and enslaved
Dominguans of African descent. Yet the evidence strongly suggests
that they were invested in the Catholic faith. While some scholars have argued
that many enslaved Dominguans wore Christianity like a mask, this does not seem
to have been the case in early nineteenth-century Philadelphia.[8] Witnessing
baptisms and weddings, participating in the sacrament of marriage itself, and
membership in confraternities was, if not a full acceptance of Catholicism, at
least engagement in a process of religious creolization. In these rituals and
practices, men and women from Saint-Domingue (perhaps women even more so) found
Catholicism a source of not only religious, but also social and cultural
fulfillment, much as women in eighteenth-century New Orleans did.[9] Enslaved
and free Dominguans of African descent in Wilmington, Delaware and Baltimore,
Maryland also expressed their dedication to the Catholic faith through service
to the Church.
Slippery definitions and suggestive evidence: With these
things in mind, I would qualify the answer I gave at SHEAR. Vodou did not have
a significant presence in Dominguan migrant communities in Philadelphia. It may
have been found in other cities such as New Orleans, but the distinction
between Haitian Vodou and other African-based popular religions must be more
clearly defined. The question is worth pursuing, though, even if it must be
expanded: What belief systems spoke to the spiritual and religious needs of
black Dominguans in the United States? What did these systems have in common
with those followed by black and white Americans? How might we learn more about
these systems, and about the experiences of their believers?
[1] Gary B. Nash, "Reverberations of Haiti in the
American North: Black Saint Dominguans in Philadelphia," Pennsylvania
History: Explorations in Early American Culture 65 (1998): 71 n. 65; Records of
the American Catholic Historical Society of Philadelphia XVII (1906): 466.
[2] Patrick Bellegarde-Smith and Claudine Michel,
"Introduction," in HaÃtÃan Vodou: Spirit, Myth, and Reality,
Bellegarde-Smith and Michel, eds., (Bloomington: Indiana University Press,
2006), xix-xxi; Kate Ramsey, The Spirits and the Law: Vodou and Power in Haiti
(Chicago: University of Chicago Press, 2011), 6-9.
[3] Ramsey, Spirits and the Law; Adam M. McGee,
"Haitian Vodou and Voodoo: Imagined Religion and Popular Culture,"
Studies in Religion/Sciences Religieuses 41, no. 231 (originally published
online 25 April 2012): 231-256.
[4] Alfred Métraux, Voodoo in Haiti, Hugo Charteris,
trans., (New York: Schocken Books, 1972), 40; Bellegarde-Smith "The Spirit
of the Thing: Religious Thought and Social/Historical Memory" Fragments of
Bone: Neo-African Religions in a New World, Bellegarde-Smith, ed., (Champaign:
University of Illinois Press, 2005), 53.
[5] Katrina Hazzard-Donald, Mojo Workin': The Old African
American Hoodoo System (Champaign: University of Illinois Press, 2013).
[6] John Fanning Watson, Annals of Philadelphia, and
Pennsylvania, in the Olden Time, Willis P. Hazard, ed., (Philadelphia: E. S.
Stuart, 1891), 265. With thanks to Terry Rey for the information on Washington
Square's history.
[7] On November 8, 1793, in accordance with Pennsylvania
law, Joseph Jean Baptiste Philip Antoine freed an enslaved Dominguan named
Calypso, with Calypso then indenturing herself for a period of 12 years service
to Antoine. References to this Calypso can also be found in Philadelphia criminal
justice records. But due to the discrepancy in recorded ages, I cannot be
certain that this is the same Calypso baptized in 1800. Manumission Book A,
207; Vagrant Docket.
[8] Michel, "Of Worlds Seen and Unseen: The
Educational Character of Haitian Vodou," Haitian Vodou, 32-45.
[9] For New Orleans, see Emily Clark and Virginia Meacham
Gould, "The Feminine Face of Afro-Catholicism in New Orleans,
1727-1852," The William and Mary Quarterly 59, no. 2, (April, 2002):
409-448.
Comments
FWIW, the Vodou term "zombie" first appeared in its present sense in late 18th C. Saint-Domingue. By 1872, it was popular enough among black servants in the U.S. South to warrant inclusion in a book of "Americanisms." One could argue the idea developed spontaneously in different locations. Since the term does not appear in the U.S. until after 1804, I think it's more likely the presence of zombies in the southern states reflects the influence of the Haitian diaspora.
So that's one way to answer your question, perhaps.
In preparing my last draft, I accidentally deleted much-needed acknowledgments. Along with my thanks to Carol, I would also like to thank Christine Sears and Terry Rey for reading previous versions of this post. Terry was also very generous in sharing advice and opinions. The fifth paragraph’s discussion of Haitian Vodou is coherent largely because of Terry’s interventions. I am, of course, responsible for any errors of content and interpretation.
Joseph, thank you for the kind words, and for your observations. While I wonder about the etymology of “zombie” and its West African roots (and thus the possibility of “[spontaneous development] in different locations” you mention), the chronology that you suggest would indicate more of a Haitian influence.