Showing posts with label reveries. Show all posts
Showing posts with label reveries. Show all posts

Thursday, August 14, 2008

One Nation Divisible

Paul Harvey

We’ve blogged here several times about the “Religion by Region” series of books put out by Rowman & Littlefield (full disclosure: I contributed to the one entitled Religion and Public Life in the South: In the Evangelical Mode, a volume which demonstrates demographically that the “Bible Belt” is not just a myth). I blogged previously about Laurie Maffly-Kipp's lengthy and thoughtful review of all these volumes in the Journal of American History, a couple of issues ago.

Mark Silk and Andrew Walsh have now published their summary volume from this entire project: One Nation Divisible: How Regional Religious Differences Shape American Politics.

Here’s a summary of the volume:

From the evangelical South to Catholic New England to the "unchurched" Pacific Northwest, regional religious differences have a dramatic impact on public life not only in the regions themselves but also in the United States as a whole. As the interplay between religion and politics continues to dominate public discussion, understanding regional similarities and differences is key to understanding the debate around such national issues as health care, immigration, and the environment. For the first time, One Nation, Divisible shows how geographical religious diversity has shaped public culture in eight distinctive regions of the country and how regional differences influence national politics.

Examining each region in turn, Mark Silk and Andrew Walsh provide historical context, stories that reveal the current cultural dynamics, and analyses of current politics to create rounded portraits of each region. They then present a compelling new account of the evolution of national religious politics since World War II. In doing so, they suggest that the regional religious forces that have fueled recent culture wars may be giving way to a less confrontational style rooted in different regional realities.

Individual chapters follow the regions as outlined in this project, from the Southern “Evangelical Mode,” to the “Fluid Identity” of the Mid-Atlantic region, to the “None of the Aboves” of the relatively religiously indifferent Pacific Northwest region.


Much can be said of this project, and the volume, and I’ll blog on the book further later. What particularly struck me in sampling parts of the book upon arrival was the importance of the “Southern Crossroads” region, including my home region of Oklahoma and Texas. The authors argue in effect that to the extent the culture wars have defined politics from Bill Clinton to George W. Bush, they have waged in the Southern Crossroads more than anyplace else: “It is not too much to say that the Crossroads provided the country’s model for religion in public life during [Clinton and Bush], two of its favorite sons. “ The authors then propose the Midwest, where religion is strong but no one tradition is dominant, as a place where the conflicts of the culture wars may be resolved -- but read the book for further detail.

The authors begin this chapter with a story from a Nashville Tennessean reporter, which rings true to what I observed when I was a pup (and I’ll insert my own details below from my younger years in Northwest Oklahoma):

GET US OUT OF THE U.N.! [I grew up driving by that sign almost every day]

JESUS IS COMING SOON—ARE YOU READY? . . .

These insistent messages were just a normal part of the scenery, like azaleas in bloom, icebox pies, and LSU football [for me, that would be cottonwood trees, Dr. Pepper machines, and Oklahoma football]. But the anger was puzzling. I saw it in letters to the editors, in leaflets left on the car windshield, in the scowls of TV preachers—attacks on “weak sister” liberals [“limousine liberals” in my day], blasts against secular humanism, detailed predictions of Armageddon.

Why were the adults so mad? What were they afraid of? It seemed out of proportion to the facts. No one could tell me why. My part of America was always filled with gracious people, charming neighborhoods, and faithful churchgoing. But there was something else in the air—a cloud of political fierceness and aggressive Protestant argument. The very sky was a riddle of anxiety. We saw it as the staging area of a gathering apocalypse. . . It didn’t occur to me until I left home that our brand of confrontational culture wasn’t so normal after all. It was the strange brew of a specific religious and social past, an accident of history.


Darren Dochuk’s ongoing work From Bible Belt to Sun Belt, to be published by Norton a year or two from now [hurry the hell up, Darren], ultimately will explain this peculiar regional religious configuration definitively. This book and Darren's work help me understand what was going on in my public high school, for example, when we watched a "debate" between a local Farm Bureau agent, not-too-well "disguised" as a East German Communist propagandist (complete with Col. Klink monocle), and some guy from the local National Guard, on that debate perennial "Communism Versus Capitalism."

By the end, the "East German" debater blew his top, and then revealed himself to all, with a smile. I was geeky enough actually to pay attention, and to wonder why that same Farm Bureau guy was so obssessed with Henry Kissinger and the Trilateral Commission, who of course were determined to take away farm subsidies and send all our money to those Eat Coast bankers (I'll leave you to guess the bankers' religious heritage; it starts with a "J"). Fortunately, most of my class comrades were too busy trying to produce fart sounds with their hands inserted in underarms to pay much attention, and besides, they knew that capitalism was great because it provided their fathers with those wonderful checks from Earl Butz at the Department of Agriculture. But those guys (and gals, presumably) now puzzle the likes of Thomas Frank, who tried (with limited success) to understand them in What's the Matter with Kansas?

Oh, and yes, very public prayer, Protestant hymn singing, and school assembly "devotionals" were standard fare in my high school, Engel v. Vitale be damned.

But I digress. This book serves not only as an excellent introduction to the eight-volume Religion by Region series, but also as a stand-alone work synthesizing a good deal of American religious history and demography. Based on what I know personally of the Southern Crossroads region, I'd say that the astute analysis in that chapter, one that accords with my own experience, speaks well for what readers will find in the rest of the book.

Here’s the table of contents:

Preface Religion by Region The Middle Atlantic: Fount of Diversity
New England: Steady Habits, Changing Slowly
The South: In the Evangelical Mode
The Southern Crossroads: Showdown States
The Pacific: Fluid Identities
The Pacific Northwest: The "None" Zone
The Mountain West: Sacred Landscapes in Tension
The Midwest: The Common Denominator?
Retelling the National Story

Sunday, July 20, 2008

Summer of Love, Listening, Death Cab Meets Cutie, and Mortal Kombat


“Send Me an Angel”: Some Spiritual and Historical Ruminations on Contemporary Music


by Ed Blum

I’ve spent the summer on the road. Virginia may be made for lovers, but southern California is made for drivers. If I want to meet Matt Sutton for dinner in Huntington Beach, I have to drive; if I want to get to downtown San Diego, I have to drive. If I want to make a meeting, I have to drive. My poor little Honda Civic is taking a beating; thankfully my radio has been blaring some new songs that continue to inspire my spiritual strivings and interest in religion. I wanted to take you on a quick jaunt through the emotive, sensual, fun, and energizing moments I have had in the car with some new (and not-so-new) songs.

Since driving is my theme, it is fitting to begin with the band Death Cab for Cutie. I hate their name... or rather the second half of their name. For some reason, the word “cutie” irritates me. “Death Cab” strikes me as a better name, but that would be too dark for their fun, albeit eerie, pop. My favorite Death Cab song is “Soul Meets Body,” because it makes me think of the intersection of race and religion – where the soul and the body meet, collide, and blend. But that’s an old song, a more recent one chock full of religious inspiration is “I Will Follow You Into the Dark.” It’s a relatively slow song with simple guitar accompanying voice. One portion of the chorus brings me great hope. Lead singer Ben Gibbard smoothly voices of the hereafter:

No blinding light or tunnels to gates of white
Just our hands clasped so tight
Waiting for the hint of a spark
If Heaven and Hell decide
That they both are satisfied
Illuminate the NOs on their vacancy signs


I am fascinated by the idea of heaven and hell being satisfied, that both are full, that neither will take new visitors. It comforts me – perhaps I deserve to go to hell, but will not have to because there are no more vacancies. And heaven has rarely appealed to me. So what will the dark be like if heaven and hell are satisfied? I do not know, and I find the confusion inspiring.

Then, Death Cab juxtaposes an experience in Catholic School with alleged true love:

In Catholic school as vicious as Roman rule
I got my knuckles bruised by a lady in black
And I held my tongue as she told me
"Son fear is the heart of love"
So I never went back


Since I never went to Catholic school, I have no idea how common this is. I have heard a tale or two of the meanness of nuns; and we all know about the sexual voraciousness and deceit of the Catholic church, but the nun’s claim to be teaching love through the physical violence is striking. And, as historians, we know that Catholic school teachers have not been the only ones to use physical force to uphold principles. In the late 1850s, a Boston court dismissed charges against a teacher for beating a Catholic boy because he refused to read the Protestant 10 commandments. In this case, little Thomas Whall had his knuckles bruised not by a lady in black, but by a prejudiced, evil teacher who viewed Catholicism as an impediment to the glory of American liberty. Each time I hear these Death Cab lyrics I think about the stereotype of Catholic mistreatment of children and the amnesia about Protestant abuse. Then I feel a contradiction within myself about the song: I wonder if I’m OK with hell being satisfied when it comes to those who violate children? I wonder if I would want hell to have vacancies for men like the teacher who beat Thomas Whall?

Then there’s Coldplay’s “Viva La Vida.” Cold Play got a bad rap in the Judd Apatow film Forty Year Old Virgin. As actors Seth Rogin and Paul Rudd (two of my absolute favorites) played video games (I believe it was Mortal Kombat), they accused each other of being gay (a “put down” in films that elicits a ton of laughter and shows me just how homophobic our culture is). At one point, one explains that he knows the other is gay because he listens to Coldplay. I really enjoy Coldplay, and don’t see it connected to my sexuality at all. “Viva La Vida” is a fascinating song, where the chorus runs:

I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror my sword and shield
My missionaries in a foreign field

I’m not going to comment on the chorus, but it is so clearly replete with religious imagery that it strikes me as a spiritual onion – layers upon layers, some of which lead to tears when exposed. There is another line that captures my attention. Near the end, the singer exclaims: “For some reason I can't explain / I know Saint Peter won’t call my name.” Now, most lyric databases have Coldplay claiming that they know Saint Peter “will” call his name. But my ear hears another lyric. I hear the singer claiming that Saint Peter “won’t” call it. You can judge for yourself. But following my own ear, I am thrown back to the problem of heaven and hell – the problem from which Death Cab had almost saved me. What do I think of Saint Peter at the pearly gates? Will I get in? And what of the people I study? Did Saint Peter call their names? Or, and more importantly for my scholarship, how did their beliefs about heavenly lists influence their choices? Were American missionaries the bourgeois, imperialist, and hyper-nationalists I and so many others paint them as or were they people hoping that heaven had vacancies and that Saint Peter would call their name (or perhaps the names of the individuals they encountered abroad)?

These are the questions I have as I speed up the 5 to Los Angeles. These are the thoughts I have as I scroll through the radio stations. Just as songs like “Send Me an Angel," “Like a Prayer," and just about anything from Phil Collins led me to spiritual highs and questions as a teenager, so now Cold Play and Death Cab let me ruminate on my own spirituality and my life in the religious history of our nation.

There are so many other songs that I could discuss that whirl me into different worlds of American religious history. Bruce Springsteen, Dave Mathews, and The Killers all have great songs about Jesus that are helping me on that project; Eminem was inspiration for Reforging the White Republic; Jars of Clay, and their song “Redemption,” gave me the rhetoric and spirit to approach lynching and the sacred in W. E. B. Du Bois, American Prophet. Eventually, I plan on writing some on demons in America, and I have a coterie of devil songs just ready to roll on my I-Tunes. I would love to hear more about how music is influencing you, your religious life, and your scholarship. Please feel free to comment or drop me a line.

Monday, April 21, 2008

bookporn, Chicago Edition


Paul Harvey

A little bit OT, but following from John's tribute to the unfortunately vanishing library periodical room (which are also places I love and gravitate to when I'm visiting other libraries):

Check out Rachel Leow's "bookporn" series, the latest edition being floor-to-ceiling photos of Chicago's Harold E. Washington library. Next time I'm in the Bay Area I should take one of UC Berkeley's reference room hall and also its cozy and lush Morrison reading room, where I spent graduate school years lounging in don't-worry-be-happy bliss. Only Yoshi's jazz club (then, this being the 1980s, in North Oakland, and featuring a half-price student ID discount that allowed me dozens of hours of live listening pleasure to Joe Henderson and scores of others) and Small's in New York City (usually around 1:45 a.m. in the late 1990s, the era of the original Small's, with the Jason Lindner big band wailing, Jason on piano, Myron Walden and others on sax, and Omar Avital taking his double bass to places no bass had gone before) could compare to put me in touch with some divine spark, if just for the moment. For now, Rachel's bookporn series and the occasional moment of musical genius that accidentally stumbles its way into Colorado Springs (and soon scrambles away) will have to suffice.
 

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