CFP: Religion and Romance
“Love is my religion,”
Ziggy Marley testifies in a hit from 2006.
From reggae to Rumi (the bestselling poet in the United States across
the 1990s), Bollywood to South Park, global
popular fiction, film, poetry, music, and other media have extolled romantic
love in sacred terms—and, in the process, they have sometimes raised
provocative, complex relationships about the relationships between religion and
romance.
Some popular romance texts
remain securely inside the boundaries of orthodox belief, bringing theologies
of love to accessible, affective life.
Others blur the lines between sacred and secular love, or between
different national, cultural, and theological traditions, threatening those
distinctions and, sometimes, drawing sharp condemnation in the process.
To explore the vast terrain
of love and religion in global popular culture, the Journal of Popular Romance Studies calls for essays, interviews,
and pedagogical materials for a special forum guest-edited by Lynn S. Neal (author
of Romancing God: Evangelical Women and
Inspirational Fiction). The deadline
for submissions is December 1, 2012, and the forum is slated for publication in
September, 2013.
Texts from all traditions, media,
and periods are welcome. Topics of
particular interest include:
- Sacred love stories retold in popular culture
- Hymns, love songs, and the porous boundary between them
- Romantic love as a surrogate or secular religion, and debates over this
- Crossover texts and figures: Rumi, the Song of Songs, etc.
- Representations of interfaith romance
- Love and religion in popular culture from before the 20th century, and from indigenous and other non-hegemonic religious traditions (Candomblé, Wicca, etc.)
Published
by the International Association for the Study of Popular Romance (IASPR), the peer-reviewed
Journal of Popular Romance Studies is
the first academic journal to focus exclusively on representations of romantic
love across national and disciplinary boundaries. Our editorial board includes representatives
from English, Comparative Literature, Ethnomusicology, History, Religious
Studies, African Diaspora Studies, and other fields. JPRS
is available without subscription at http://jprstudies.org.
Please submit scholarly papers of no more
than 10,000 words by December 1, 2012, to An Goris, Managing Editor managing.editor@jprstudies.org. Longer manuscripts of particular interest
will be considered on a case-by-case basis. Submissions should be Microsoft
Word documents, with citations in MLA format.
Please remove all identifying material (i.e., running heads with the
author’s name) so that submissions can easily be sent out for anonymous peer
review. Suggestions for appropriate peer
reviewers are welcome.
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