Today's must-read for ya'll: Matt Bowman, "Saturday's Warriors: How Mormons Went from Beard-Wearing Radicals to Clean-Cut Conformists." Aside from covering the short-lived, cute-if-cringe-inducing history of "Mormon rap," the piece expertly details the origins of the policy of "correlation" in early twentieth-century progressivism's emphasis on efficiency and order, its translation in the world of the modern corporation, its usefulness in creating a church capable of handling growth and expansion, and the struggles to translate mid-century corporate correlation into a more contemporary idiom of pluralism and self-expression. A little excerpt:
—the title alludes to the latter days—was an unprecedented pop phenomenon in the small world of midcentury Mormondom at least in part because it struck with perfect pitch the tone of Mormon moment. In the 1960s and ’70s, many Mormons were disappointed with American culture, which seemed to them to be spinning wildly out of control. The musical’s heroes urge their wayward siblings to protect themselves by embracing a rigorous code of personal morality and loyalty to the clean-cut church that teaches it. is, essentially, a tract from Mormon parents desperate to keep their children out of the dangerous clutches of hippies.