Oprah: Gospel of an Icon
NS: What is it about how American religious history is studied now that has left Oprah not well-enough understood?
KL: I would say that the “how” of what we study is less problematic than the way we cordon our topics, which is very much an inheritance of our role as seminary church historians. I want to see more books written about objects that seem unlikely for religious studies, such as those seemingly in the purview of pop culture, but also those from economic and political arenas. Moreover, I think our disposition toward our subjects is often too tender for our own good. If on the one side we’ve been formed by our seminarian genealogies, on the other we inherit an abused mentality, one that flinches constantly at the possibility that elsewhere in the humanist ranks we’re being mocked for proximity to the religious subject. And so we appear, I think, often too defensive of our topics, believing they need caretaking before exposure to the imagined Marxist menace. So, if there is a critical edge to the book, it is to goad us to be less worried about explaining our subjects to their cultured despisers, and instead pursuing the mediations of their belief systems, the multiple functions of their ritual reiterations, and the social systems to which they reply and in which they participate
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Curtis J. Evans
Curtis J. Evans