Who Will Review the Reviewers?
Or: Billy Sunday, Aimee Semple McPherson, Upton Sinclair, W. E. B. DuBois, Star Wars, and Me.
by Ed Blum
Billy Sunday is doing one of three things right now: 1) wrestling with the devil in a death match; 2) sipping some ginger ale while Jesus drinks wine and the two cheer for the Cubs; 3) rolling over in his Chicago grave because Jean Bethke Elshtain recently compared him with “Eli Sunday” (or “Eli Watkins” as he is called in Upton Sinclair’s Oil!) in that wonderful journal Books and Culture. I’m guessing that Billy Sunday – the baseball-playing, fighting with demons, stomping, shouting, tough guy revivalist of the early twentieth century would not appreciate being likened to the sniveling, effeminate Eli Sunday of There Will Be Blood. And I’m also guessing that Upton Sinclair, whose character in Oil! was named “Eli Watkins” and who, according to Matthew A. Sutton, modeled this character after Aimee Semple McPherson (or at least one of her followers), might be irritated by the misunderstanding.
Mistaking Billy Sunday for Aimee Semple McPherson – whether on the part of the filmmakers or on the part of Jean Bethke Elshtain – may not seem like a big deal (on a side note, Jean Bethke Elshtain writes that Eli Sunday was “Upton Sinclair’s representation of the famous evangelist Billy Sunday in his novel Oil, on which the film is very loosely based”; to be truthful, there is no character in Oil named “Eli Sunday”). Weren’t they both powerful and inspirational revivalists? Didn’t they both help fashion a new form of Protestantism in the early twentieth century? Sure, but if we care about gender and if we care about geographical space (let alone historical accuracy), then it certainly matters.
Take a look at Sutton’s analysis of Oil! in his Aimee Semple McPherson and he Resurrection of Christian America (it begins on page 143). For instance, Sinclair wrote of Eli that his preaching “had thus become one of the major features of Southern California life.” Or then again, the Watkins family believed in the “Old Time Religion … the Four Square Gospel.” Then later, reports broke that Eli had drowned at a local beach. Doesn’t this sound exactly like Billy Sunday? Who was it that initiated the Four Square Gospel and put a stamp on southern California and was supposedly lost at sea? (the answer is not Billy Sunday).
If Sutton is right and Jean Bethke Elshtain is wrong, then we must ask Sinclair would cast the McPherson figure as a man. It’s an important question, but also one that leads to why McPherson has so often been left out in discussions of the rise of the moral majority. Why must a female presence be banished either from formative stages of southern California or from the moral majority’s long history? And now with name choice in There Will Be Blood and Jean Bethke Elshtain’s review, it is more than the tale of an effeminate fictional character representing a genuine woman; it is now a real Midwestern minister of a masculine gospel represented by a feminized southern Californian.
I’m not sure how these types of “mistakes” (if it is a mistake, which I might be mistaken about) can be corrected. I have no idea how reviewers can be reviewed. To be perfectly honest, I wish that I could take back most reviews that I wrote before my first book was published. It was not until then that I realized that the first task of a reviewer was to admire and appreciate, and then to critique and challenge. Before my first monograph, I first wanted to prove my mettle and then perhaps celebrate the hard work of an author. In the next month, a forum review of my religious biography of Du Bois will come out with the Journal of Southern Religion. One of the reviewers thinks that I am wrong to call Du Bois a prophetic figure (as did a previous review by Curtis Evans), yet does so with no evidence or even theory to contradict my portrayal of Du Bois. Almost every page of my work either has Du Bois using prophetic language and tropes or has his contemporaries referring to him as a prophet, as one who “reveals” hidden realities to them, or as one who speaks with religious insight against the powers that be.
Billy Sunday is doing one of three things right now: 1) wrestling with the devil in a death match; 2) sipping some ginger ale while Jesus drinks wine and the two cheer for the Cubs; 3) rolling over in his Chicago grave because Jean Bethke Elshtain recently compared him with “Eli Sunday” (or “Eli Watkins” as he is called in Upton Sinclair’s Oil!) in that wonderful journal Books and Culture. I’m guessing that Billy Sunday – the baseball-playing, fighting with demons, stomping, shouting, tough guy revivalist of the early twentieth century would not appreciate being likened to the sniveling, effeminate Eli Sunday of There Will Be Blood. And I’m also guessing that Upton Sinclair, whose character in Oil! was named “Eli Watkins” and who, according to Matthew A. Sutton, modeled this character after Aimee Semple McPherson (or at least one of her followers), might be irritated by the misunderstanding.
Mistaking Billy Sunday for Aimee Semple McPherson – whether on the part of the filmmakers or on the part of Jean Bethke Elshtain – may not seem like a big deal (on a side note, Jean Bethke Elshtain writes that Eli Sunday was “Upton Sinclair’s representation of the famous evangelist Billy Sunday in his novel Oil, on which the film is very loosely based”; to be truthful, there is no character in Oil named “Eli Sunday”). Weren’t they both powerful and inspirational revivalists? Didn’t they both help fashion a new form of Protestantism in the early twentieth century? Sure, but if we care about gender and if we care about geographical space (let alone historical accuracy), then it certainly matters.
Take a look at Sutton’s analysis of Oil! in his Aimee Semple McPherson and he Resurrection of Christian America (it begins on page 143). For instance, Sinclair wrote of Eli that his preaching “had thus become one of the major features of Southern California life.” Or then again, the Watkins family believed in the “Old Time Religion … the Four Square Gospel.” Then later, reports broke that Eli had drowned at a local beach. Doesn’t this sound exactly like Billy Sunday? Who was it that initiated the Four Square Gospel and put a stamp on southern California and was supposedly lost at sea? (the answer is not Billy Sunday).
If Sutton is right and Jean Bethke Elshtain is wrong, then we must ask Sinclair would cast the McPherson figure as a man. It’s an important question, but also one that leads to why McPherson has so often been left out in discussions of the rise of the moral majority. Why must a female presence be banished either from formative stages of southern California or from the moral majority’s long history? And now with name choice in There Will Be Blood and Jean Bethke Elshtain’s review, it is more than the tale of an effeminate fictional character representing a genuine woman; it is now a real Midwestern minister of a masculine gospel represented by a feminized southern Californian.
I’m not sure how these types of “mistakes” (if it is a mistake, which I might be mistaken about) can be corrected. I have no idea how reviewers can be reviewed. To be perfectly honest, I wish that I could take back most reviews that I wrote before my first book was published. It was not until then that I realized that the first task of a reviewer was to admire and appreciate, and then to critique and challenge. Before my first monograph, I first wanted to prove my mettle and then perhaps celebrate the hard work of an author. In the next month, a forum review of my religious biography of Du Bois will come out with the Journal of Southern Religion. One of the reviewers thinks that I am wrong to call Du Bois a prophetic figure (as did a previous review by Curtis Evans), yet does so with no evidence or even theory to contradict my portrayal of Du Bois. Almost every page of my work either has Du Bois using prophetic language and tropes or has his contemporaries referring to him as a prophet, as one who “reveals” hidden realities to them, or as one who speaks with religious insight against the powers that be.
Sadly, there is no Woodrow Wilson to walk softly and carry a big stick. Or was that Theodore Roosevelt? Who cares… they both lived in the Progressive Era. Then again, sadly, there is no Bill Clinton to propose a “Star Wars” program that could defend the United States from Soviet attacks (and also all unjust reviews from being published). Or was that Ronald Reagan or Senator Hillary Clinton? Again, it doesn’t matter; Clinton and Reagan were both Presidents around the same time and Bill Clinton and Hillary Clinton have the same last name.
Comments
It is hard to believe that after anyone actually read Blum’s book they would come away with any doubts that DuBois was an American prophet (as Ed defines “American prophet”). Unfortunately it seems that on occasion reviewers don’t let the evidence get in the way of a good preconception.
Has anyone seen the caricature of Billy Sunday in the BBC version of P.G. Wodehouse's Jeeves and Wooster? Fantastic!
On reviewers: perhaps they are as fallible as authors.
Now, as the question of McPherson versus Sunday; one does wonder why the filmmakers selected that name. But then again, one wonders why the reviewer explicitly stated that Sunday was the model for the character in the novel (and not just the film).
You are of course correct, Ed, that reviewers aren't held to anywhere near the same level of accountability as authors. And I can only imagine the pain and potential career/financial cost of an unfair and mean-spirited review in a prominent publication.
Most books are reviewed in a number of places; hopefully, the balance of reviews will be fair. [That wouldn't be the case for a book outside the academic mainstream -- I think that would present a very different case and a more troublesome one].
The Sunday / McPherson mistake seems to be quite innocent. All the more reason for people to read Matt Sutton's fine book.
In short, you're quite right about the structural issue, but what could be done about it? The best case scenario would be for other scholars to complain on behalf on a book's unfair treatment, then hope the publication wouldn't employ said reviewer in the future.
And Paul, I'm sorry, but reviews are about one's honest reactions---meaning emotional, professional, and scholarly---to any book in front of the reviewer. You were probably just been making an overstatement to drive home a point, but the appreciation-then-critique ordering is by no means necessary. It's a fine personal philosophy, which arose from your own temperament and experience, but there's no ~one way~ to write a review.
In fact, I'm going to take a chance and cite an example of preditable reviewing paradigms: those that appear in AHR and OAH. Here are their formats: (a) positive, negative, positive; or (b) book summary, negative, then positive. It's quite diplomatic and apparently professional, but they don't tell the reader much about what they might want to buy. Plus, most of those reviews are too short. - TL
Matt: I agree with everything you said in the 12:58 comment.
To all, I acknowledge my misspelling of "predictable" in the comment.
- TL
Wait -- you're not THAT Ed Blum? You wrote a book? On Du Bois? Was it about Du Bois and Scenes of a Sexual Nature? No? Oh, my mistake. Perhaps I should have checked before I wrote.
And I am glad to see that you keep up with your blog about like I do. Must be the weather!
Oh, to stay remotely on topic, I agree re: book reviews. I try to keep such things in mind as I write them and pray people do the same with my work in the years to come.