Will Jerry Falwell Blame Tupac and Notorious B.I.G. for Hurricane Sandy?
Ed Blum
1979 was an
annus mirabilis in American religious history. Working tirelessly along the east
coast, three men responded to the racial, political, gender, technological, and
cultural momentums of the past decades to create something that would transform
the entire nation, if not the world. When they hit the airwaves, millions of
Americans took notice. It began simply enough: “
I said a hip hop the hippie the hippie / to the hip hip hop a ya don’t stop.” Fifteen minutes of rhymes
followed and we’ve never been the same. The Sugar Hill Gang’s “Rapper’s Delight”
introduced countless Americans to the new genre of music, “rap” and the broader
culture of “Hip Hop.”
Oh, and something else happened in US religious history in
1979. Three other east coast men, Jerry Falwell, Paul Weyrich, and Richard
Viguerie, incorporated the Moral Majority.
What does Hip Hop have to do with the Moral Majority? Or, to
channel my inner Makaveli:
Does the H-H revolution
have any God talk to incarnate
for the graying M&M delusion
or do these two form naked hate?
what finger you gonna point
D’evil Falwell at Jay-Z
You both bad men to anoint,
Still no Jesus piece for me.
Two new books had me riveted on the topic during my recent
trip to and from upstate New York. As I traveled to enjoy the company of
Richard Bailey at Canisius College, Josh Dubler at the University of Richmond, Dai Newman and the graduate students of Syracuse's religious studies program, and the race and secularism gang at Syracuse University, I carted along Ebony
A. Utley’s
Rap and Religion: Understanding the Gangsta’s God and Matthew Avery Sutton’s
Jerry Falwell and the Rise of the Religious Right: A Brief History with Documents. Both were a treat on their own, and
when brought together showcased how dynamic the past forty years have been vis-à-vis
religion in the United States and how many ways there are to study it.
Utley’s work asks “why do rappers include God in their raps
about murder, misogyny, and mayhem?” Examining rap lyrics, videos, and liner
notes, she suggests that God and devil talk allow rappers to address a series
of problems, including the history of urban crises, drug culture, urban
violence, government withdrawal, and the emergence of the carceral state.
Rappers invoke a God “out there” (importantly not “up there”) and also a
God “down here” as ways to address problems of power, agency, and social traps. For male and female rappers,
God as a father figure holds important, although often conflicted, meanings.
When it came to the devil, he came in various forms: sometimes as a white man
who offered wealth and authority; sometimes as a sexy woman who could derail the rapper
from other delights; and sometimes as the rapper himself who wielded demonic
strength. At the end of Rap and Religion,
Utley provides statistical data from a survey of religious views about rap from
students at CSU-Long Beach and interviews with several scholars,
choreographers, and music producers.
Perhaps the best example in Utley’s book is Ice Cube’s
“When I Get To Heaven” (1993). In it, as Utley points out, Ice Cube “lambasts
Christianity for its hypocrisy, moneygrubbing, and racism.” The church is a
fashion show; the priest is a beast; and the minister loves materialism. Ice
Cube’s God is a “killer from the start,” which in the rap universe is not necessarily
bad (who is killing, why, and who is being killed matters – just as the
metaphorical killing of another can simply mean besting).

Jerry Falwell probably never listened to any of this music,
but he did like the Christian “rap” group DC Talk, and his ilk certainly expressed
concern over it (which means attacking it). Matthew Avery Sutton places Falwell
at the center of the nexus of religion and politics during the late twentieth
century, and the findings are tremendous. After a short introduction where Sutton
maps out Falwell’s life vis-à-vis larger shifts in American history such as the
civil rights movement, political scandals of the 1970s, contests over women’s
rights and shifts in normative family definitions, reproductive and individual
rights, and the relationship between “the church and the state.” Sutton’s book
is part of the
Bedford/St. Martin’s series that has some of the best teaching
volumes out there.
Sutton’s volume is definitely teachable (and I’m using it
for my US history survey in the spring). We are brought into the evangelical
universe of political, social, and cultural problems. How shall they engage
society, the new evangelicals ask the old fundamentalists? How will they
respond to racial integration that is forced upon them (or at least
desegregation if any women or men of color want to join) by a federal
government that also wants to ensure that these churches, organizations, and
colleges are not defrauding investors? How should they respond to abortion,
since it has typically been a prominent issue for Catholics? And should they
reject public schools, the domains that had been so important in developing the
patriotic fervor many of them had felt as youths? Sutton’s documents illuminate
all of these problems and more, and I cannot wait for my students to wrestle
with the evangelicals’ positions and how they continue to impact contemporary
politics.